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Monday, January 21, 2013

Paris Quick View (Number Five)

After months without a Paris post, I thought it was time to break up the winter blues with a few shots of that lovely city.  And this time around, there is no particular theme, though all of the pictures are from the Left Bank.  I just wanted to share a few of them with you today.  Be sure to click on them to see a more detailed view.

To begin we'll take a look across the pool in the Luxembourg gardens, towards the Pantheon.  This is one of my favorite spots in Paris.  There isn't a  square inch of this park that isn't beautiful.  People come here to read, jog, watch puppet shows, play with toy boats, and walk hand in hand, among other activities.  







At the southern end of the gardens you find this amazing fountain, the Fountaine de l'Observatoire.  Critic Jules Claretie complained that the women lacked grace, had wasted flanks, and wondered why anyone would compose such a collection of "wild, vulgar and wrinkled dancers."










Here, at La Boulangerie de Papa, on Rue de la Huchette, we found out why everyone loves crepes.  They were fantastic, and this guy here turned crepes into a work of art.  The street is one of the oldest on the Left Bank.










An exterior detail from Eglise Saint-Germain-des-Pres, the burial place of Merovingian Kings.  The Abbey was founded by Childebert, the son of Clovis the First in 542 AD.  This is one of the older churches in the city.










I can't take credit for this shot.  My wife Jennifer snapped this shot, and a great shot it is.  This is just across the Seine from the main police headquarters on the Ile de la Cite.  This little alley connects the main drag to the Rue de la Huchette, which is full of clubs, trinket shops, and eateries.  Rue du Chat Quie Peche means "Street of the Fishing Cat" and is considered one of the narrowest streets in Paris.


















I'll add in a few street scenes from Paris as well.  Just to give this a little more flavor.  All three of them were taken by Jennifer.
Rue Cortot, on Montmartre

On the Quai Malaquais, facing the Pont du Carrousel and the Louvre

On the Quai Voltaire, facing the Pont Royal,
the Louvre Museum and Tulieries Gardens

Monday, January 7, 2013

My View of the Kindle Paperwhite 3G

My first Kindle, a 4th Generation style.
I was blessed enough to not only receive a Kindle last year for Christmas, but my lovely bride was sweet enough to buy me another one this Christmas with the release of the brand new Paperwhite edition.  As a fan of the Amazon Kindle system, I thought I would let the world know how the two compare.

First of all, let me give a few highlights on the old Kindle, which is not that old, in fact, but we'll call it that for simplicity's sake.  (If I were to be technical, I'd call it the Fourth Generation Kindle, which is the designation it has, and it has already been replaced by a fifth generation at the end of 2012.)
  My old Kindle was smaller and lighter than any Kindle up to that point, and though it does not have any sort of screen light, it's e-ink display makes reading easy as long as you have a light source.  Though the screen is not a touchscreen, it is pretty easy to navigate with the buttons on the front of the machine, and turning pages with the side bars is quite simple.  (You can go forward and backward from either the left or right side.)  The side bars, in fact, make it possible to hold the Kindle and turn the pages with just one hand.  Also, being so light, you can encase it in a nice cover and it is still light enough to hold with one hand for an extensive time.
  About the only complaints I had with it was that fact that it was hard to read in low light, and it tended to attract a glare more often than it should have.  Aside from that, I loved using it as much as possible.

Dinah, browsing books on the Kindle Paperwhite.
Then along came the Kindle Paperwhite.  Their new built-in light technology enables the reader to be able to see the display in any sort of light, including a room with no light.  The amount of light is customizable, so you can dim the light in the dark, which makes it much easier on the eyes.  In a bright room, you might want to turn up the built-in light, which increases the contrast to make reading an effortless activity.
  This new Kindle is definitely heavier, though it is only one and a half ounces heavier.  This does become noticeable the longer you hold it.  However, for average reading times, you won't really feel the difference.  The battery, however, powering the light, does run out much more quickly.  My old Kindle only needed to be charged once every other week or so.  The Paperwhite has needed charging about every third day of heavy use.  In addition to these changes, the Paperwhite is slightly larger, and needed a new cover to replace the cover I used for the old Kindle.  However, with the new cover, you get the updated feature of the device turning off and on as you open and close the cover.  (Just to help anyone who is switching from an older Kindle to Paperwhite, I will add this:  My Paperwhite fit into my old Kindle case (a tight fit), but the sensors on the new Kindle thought it was in a closed cover, so it would turn the Kindle off, and I could not turn it back on until I slid it out of the cover.  The sensor for the Paperwhite is well hidden, and the new covers are designed to work with the on/off sensors.  Now that I have the new cover (a nice faux leather one from Moko, which I think is the best for the price) I love this open/close--on/off feature.  Love it.
Though slightly larger, the Paperwhite can still
be held in one hand.
  I am a bit of a Luddite when it comes to touchscreens.  I'm too pessimistic that they'll scratch, or quit working, or whatever.  So far, I've found the touchscreen not too hard to keep clean, and it responds well to my fat fingers.  I am still not comfortable typing in a full review on a book when I'm finished with it.  To say more than a few words, I wait until I'm at a computer to knock out the review.  Along with the snazzy touchscreen, this Paperwhite has a 3G connection, which works well, with one caveat: it only works on the Amazon site, for book shopping.  The experimental browser that works on the wifi when one is in range, will not work on the 3G.  I guess Amazon didn't want people tying up their bandwidth with FaceBook use.  You know, I think I see their point.  Anyway, I chose the 3G since I am not always within range of a WiFi connection.  So far, it has worked flawlessly.  It also switched from WiFi to 3G as needed, depending on what is in range, without my ever having to help it out.  Smart little doo-hicky.
  One more thought on the touchscreen.  I really wish Amazon had left the side bars on the device for page turning.  I don't like the need to tap the screen every time I turn the page.  I hope Amazon is listening about that.  I'd love to see a Paperwhite with the side bars re-installed   Just my preference.  I am, however, getting better at lightly tapping the screen as needed.  I am still not sure of the best cleaning methods for it.  If anyone has a suggestion I'll be happy to hear it.
Yes, when you really need it to, Paperwhite will
translate from English to Chinese.  
  Despite the fresh, whiz-bang features of the newer Paperwhite, I was surprised to find that navigating the books is not as effortless as the old Kindle.  There are a few navigation features that have either disappeared of I have just not figured them out yet.  One of them is the farthest point read button on the old Kindle menu.  On the newer one, if says synch to farthest point read, but when you hit this button, it wants to connect with the WiFi and consult with the Mothership before telling you where you were.  Maybe I just need to change a setting on that, but for now I have not figured out what that setting would be.
  But nothing can beat the ability to read in the dark.  Man, that is awesome.  This is important for me since I like to read before I sleep while my bride does not.  She prefers to go right to sleep and my light generally bothers her.  With the Paperwhite, which can be dialed down so as not to glow enough to light the room, I can read far into the night.  Whether or not I do so on nights I should be sleeping for work the next day is a personal problem I have to work out myself.  In this, Amazon cannot help.
  If you are trying to decide on whether to buy a Paperwhite or a Kindle Fire I cannot be of much help.  I've steered clear of the Fire, for several reasons, most prominent of which is the fact that I want a Kindle for reading, and a Fire will be too tempting a distraction.  I am afraid I'd end up on Facebook getting entangled in political arguments instead of reading.  This I do not need.
I think the Kindle Paperwhite can stand on its own, though
in this shot it is, in fact, leaning on a real book for support.
  And once again, I'll address the argument that book lovers like to use against the Kindle.  Yes, I know, we book lovers like to hold a book in our hands, and smell the pages, and flip around in the book, and all those things we book lovers love to do.  However, the overwhelming convenience of being able to carry just about every book in the world with you in such a small package is something that cannot be ignored.  And with the 3G, if you can think of the book, or the author, you can search the massive lists on Amazon and download the book from anywhere, at anytime.  This benefit is hard to ignore.  In addition, the Kindle allows you to instantly check the definitions of words you don't know, and even more amazingly, it will translate most languages for you.  You can highlight passages you like, and you can also upload them to share with friends on Facebook, along with your own note on the passage.  These tools allow you to interact with a text in ways we never could before.
  But, if all you are interested in is the smell of your book, I understand.  (I don't, really, but I know enough not to argue with a book lover about the value of the smell of a good book.  Hey, I used to walk the stacks at my dad's seminary for that very thing.  So I get the smell thing, okay?)
Click on the link below to get your Kindle Paperwhite.  If you already have one, check out the case I've listed below.  It is perfect for the Paperwhite, and it comes in ten different colors.

Saturday, December 15, 2012

Skip the Boring Parts

The Overwhelming Tome: The Lord of the Rings
   I'm a bit discouraged by a post I recently read at Goodreads, in which a reader was advised to skip the boring parts of J.R.R. Tolkien's The Lord of the Rings. You know what I'm talking about, all those stupid poems, and all that nonsense about Tom Bombadil, and anything that has to do with a historical backdrop. Then there's all those long, descriptive passages of topography, and the scenery. Just chuck that crap, who needs it?
   At first, I thought these people were just illiterates who perhaps find reading to be so difficult they really need to skip the long words. But that isn't it. Of course not. What they really meant was that they just can't concentrate on anything that doesn't have running and stabbing and peril. Actually, I get the feeling that battle scenes like that might just bore them as well. I mean, after all, such things do take up your time. And that's the crux of the problem. I don't think people feel they have the time any more to read. They just want to get it over with.
Lengthy books are far easier to handle on a Kindle.
   We've been raised by our televisions, where we get the whole story in two hours or less, with plenty of commercials in the middle to give us a chance to stretch and graze in the kitchen, or go check Facebook. What we do not want to do is sit down and really take the time to read. One reason I love my Kindle so much is the little per cent bar at the bottom, which tracks my progress. I've always loved to play math games with any book I was reading, calculating how much of it I had read or how much was left. I even will make the effort to time how long it takes to read a page or two, then do the math to see how long it will take to finish. I have no idea why I do this. I usually hate to finish a book I read. But the point is, I know how long it takes me to read a book. If I were to read non-stop, some longer books can take around 20 hours to read. Broken up over so many days, that can be really tough for people to do. Shorter, more common genre books take 7 to ten hours to read. This is still difficult for many people in our busy world. But is it?
   Two football games on Sunday last almost seven hours. Many people watch two or three hours of TV every night. The fact is, we have lots of time to read. People just don't do it. But what of self-professed book lovers who do read? Why would someone like that wish to read The Lord of the Rings by skipping the boring parts? What point is there in reading a book that you find to be full of parts you don't like? That's where pride steps in, I believe. Perhaps people, whether on Goodreads, Shelfari, or other social book-lover sites, are so keen on impressing their fellow book-lovers that they want to add books to their list that will look impressive. Maybe they want to be able to tell people at a party that they've read the The Lord of the Rings but just can't bring themselves to outright lie about it. I don't know. What I do know is that if you find the great majority of a book boring, don't skip those parts. Put down the book. Find a book you do like. There are so many out there, it is not like you should feel obligated to force your way through any book.
Spend a month on Tolstoy?  Or just a few days with James Bond?
   When I went looking for a copy of Les Miserables to read, I read the notes on the abridged version, one that left out Hugo's extensive descriptions of the Paris sewers, among other things. Why? Can't readers take the time to learn a little something? Does everything have to be candy?  I fear the biggest need for these abridged versions is the fact that our society is sliding into ignorance.  That most people just can't handle reading anymore.  It is a terrifying thought.
   At this point, I calculate that only about ten per cent of the people who started reading this post are still with me. Possibly you're reading this part because you skimmed most of what was written before. I'm guilty of doing this in magazine articles; this generally happens when I'm just searching for specific information. But I've never thought to skim sections of a novel. I just never thought an author put parts in there that he did not really intend for people to read. I figure it is all a part of the story. And I've read many long works: Moby Dick, War and Peace, The Brothers Karamozov, Les Miserables, Last of the Mohicans, and the list goes on. I've also abandoned books. But I can't remember skipping parts of a book.
Have books outlasted their shelf-life in our busy society?
   One book by James Fenimore Cooper, The Pioneers, has been a real sticky wicket for me. I love Cooper's writing, and love the Natty Bumppo character. Three times I've tried to read The Pioneers, three times I've put it down. I can't really say why. But I do know I've never considered just skimming it, or skipping over large chunks of it. What would be the point? It is now like an old familiar defect in my house that I will one day correct. I'll finish that book eventually. I really will.  If I only get the time.
   Or, if it looks like my time on earth is going to be cut short, I might just skim the darned thing and mark it down on my Goodreads list as read.  After all, as Julia Childs liked to say: who's to know?

Thursday, December 13, 2012

My Quick View of a Great Sound (Parov Stelar's "The Princess")

Taking a break from pontification to share a little music.  This post features one of the best musicians to come along in a very long time.  Producing music under the name Parov Stelar, Marcus Fureder, of Austria  is known as the founder of Electronic Swing.  His compositions utilizing old swing recordings have brought back the fun, foot-tapping sound of the 1920s.  But as with many great musicians, his music has evolved over time.  His latest album is The Princess.  While cuts like All Night and Silent Shuffle jazz along to his early electro-swing sound, he manages to display some deeper, rather obscure influences, including the Roberta Flack-tinged Nobody's Fool and This Game's driving piano which I would swear is channeling Bill Conti.  Lilja Bloom returns to add her haunting vocals to several cuts, recreating more of her magic from Parov Stelar's 2007 album Shine.   All of it includes an atmospheric, moody backdrop that is perfect for cranking up the stereo and turning down the lights.  Kerry Livgren, the genius behind the epic band Kansas, said in his autobiography Seeds of Change that as a young music-lover, he built a box with mirrors and lights and speakers into which he would stick his head for an enhanced music experience.  If there were ever an album worth Livgren's headbox, it would be The Princess.
Two cuts from the album can be heard here.  If you are tired of the same old music coming out of the United States, be sure to snap up this truly amazing album.  (It is a double album, with extra cuts on the second CD including live recordings.  You can listen to it free on Spotify.)
To download the album, or buy the CD, just use this link:


Two cuts from the album can be heard right here:
The Beach, from Parov Stelar's The Princess (2012)


Nobody's Fool, featuring Cleo Pantherfrom Parov Stelar's The Princess (2012)




Monday, December 10, 2012

Whatever Happened to the NFL?

Howie Long, stalking the line.
Time flies so fast it seems just like yesterday that I used to watch this fun little sport called American Football.  I try to tell my kids about it, but to be honest, I think they believe I'm making it all up.  But I'm not.  And many of you out there know what I'm talking about.
  I suppose what sticks out foremost in my mind are the images of men, I mean real tough hombres who used to line up against each other, stare each other down through a two-bar face mask, wait with the patience of statues (none of this false-start-every-other-play crap), then, at the snap of the ball, they would proceed to try very, very hard to rip each other's heads off.  At the same time, assassins trolled the deep waters of the secondary, scaring the snot out of wide receivers.  This was a time when linebackers had never considered trying to strip the ball from your hands because they were too excited about the chance to make you cough up a kidney.
  Another antique vestige of this former game was something called a quarterback.  These guys were nuts.  They would stand in this small target space called a pocket, and if those hairy apes I mentioned in the above paragraph didn't break them in half, they'd either throw the ball, or tuck it deep in their gut and try to keep that kidney from popping out.  If they saw an escape route and bolted for it, their only hope for survival was to pray that they might make it to the sidelines, otherwise, sliding wasn't going to do them a bit of good.  Those assassins were going to find them, and punish them for entering their domain.
Two power players, Riggins and White collide.
Headaches on the house!
  But for those of you who remember this funny little game, you'll probably want me to point out that throwing the ball was not the first option.  Primarily, the ball was handed off to some tough little bulls known as running backs, who more than likely would run just a bit off tackle, where, instead of being buried immediately, they would actually hit the pile and moved it two or three yards each time.  These not-so-little guys knew how to use their bodies like battering rams, and they weren't afraid to keep at it.
  The funny thing about this is, that the owners of these teams used this spectacle to build up one of the biggest, most popular (and lucrative) sports of all time.  Sadly, some time in the nineties, this sport was deconstructed and no longer exists.  It has been replaced by a game that consists of the far less glamorous Touch-Football-League, where grown men slide to avoid being hit, they can't keep still long enough for the ball to be hiked, they flail their arms at the ball carriers as if they're doing wind-mill exercises (and this is called tackling) and they even have made an art of rushing the punter so as not to ever accidentally bump into him.
  Oh yeah, and did I mention that in the old days, these guys knew how to block on kick-offs and punts without drawing  a flag on every run back?  Or did I mention that place-kickers routinely made 45-yard field goals without much celebration?  In this new football league, we sigh with relief when a twenty-five-yarder squeaks through.
The Steel Curtain abusing the Vikings
  And I don't remember all this discussion of records being set.  First of all, quarterbacks weren't protected to the point that they could stand in the pocket and ring up passing yards like an old lady at a slot machine constantly yanking on its shiny silver handle.  These players were just another one of the guys, toughing out each game with fear and trembling.  And they couldn't pick up a first down any time they wanted to by throwing a bomb at a covered receiver with the assurance of nicking a pass interference call.  Forget that!  Corners and safeties had as much right to fight for the ball as anybody.  Remember, these were men who didn't spend all of their time between plays crying to the refs and begging for flags.
  And they played this crazy game outside, in the cold, in the heat, in the rain, and in the ice and fog.  The fields were actual fields, with potholes, mud holes, grass and sod that stuck in every crevice of their uniforms and exposed body parts.
Vince Lombardi-- a man you did not mess with.
  What my kids really can't understand is that these teams of men were led by some rather strange, scary beings that were known as coaches.  Think of your dad, when you were about four years old, and he looked about four times bigger than he does now, his voice, when angry, made you wish you were still wearing diapers, and his word came from about the same elevation as Mount Sinai.  (It's no coincidence for me that my father was a dead ringer for Chuck Connors, a scary guy who didn't even need that totally crazy-awesome rifle he loved to fire off from his hip.  My dad didn't need that rifle either.  Us kids knew you simply did not mess with The Rifle Man and you did not mess with Dad!)  Sorry, I'll get back to football.  Anyway, these coaches ruled with an iron law that has not been known since the days of Ivan the Terrible.  They weren't evil.  They were just the local deities who required absolute obedience and sacrifice.  I do not remember anyone ever arguing with Tom Landry on the sidelines, except maybe Danny White, who did one time, and I don't think they ever found Danny's body, despite the very well organized efforts of a search party led by Texas Rangers.
  So anyway, it's all just a long lost memory now.  At least we can still access old game film on YouTube, and I do, if only to prove to my kids that this strange league actually did exist.  For now, we're stuck watching the clean, fast, artificial touch football that passes for the NFL today.  After all, what else are we going to watch for entertainment, basketball?  Don't get me started.
  Hold on one minute!  I forgot to mention one other thing.  Fans back then were a lot tougher too.  They stood by their teams, regardless of their standings, because they had no one else to cheer for.  They didn't play this selfish Fantasy Football garbage, where everyone is cheering for guys they have no business cheering for.  And you could invest some emotion in a player that you knew was going to be on your team forever.  Reggie White ended all of that, though, didn't he?  Now, the guy you draft today will be your rival's best player in three years.
Dick Butkus holds the line.
  Last point, honestly.  The old NFL had referees who actually knew their jobs.  There were no huddles for consultation and coin-flipping decisions.  And certainly no instant-replay.  What my father once predicted when instant replay first came into effect has finally come true.  Questioning the referee has led to the inevitable situation where the referees question their own judgement, are hesitant to even make a call now, and since coaches can challenge a call, every player out there thinks he can too.  Major League Baseball understands this.  (At least for now.)  You do not allow anyone to argue balls and strikes.  Period.  The NFL should have realized this a long time ago.  It's too late, however, to go back now.
  Right now I'm wishing I could sit down and watch Jim Plunkett take the Raiders into the frozen realm of Soldier Field or Three Rivers Stadium with the happy knowledge that I would have a front row view of a good-old-fashioned battle.

Friday, December 7, 2012

My View of Dickens on the Strand

Every year, the town of Galveston Texas turns into a Texan-styled Victorian England.  At Dickens on the Strand, you'll find the old downtown barricaded off to modern traffic and the streets full of Lords and Ladies and Pirates and street urchins.  The world of Charles Dickens and his fellow writers comes to life for a few exciting days.
The Ghost of Christmas Future leads Scrooge
on a tour of Dickens on the Strand
  If you are a historian who feels that accuracy is the key to the success of such a venture, stay far, far away. Period consultants need not apply.  But if you enjoy a little dress up, play-acting, and general fairgrounds atmosphere, then this is place for you.  You'll be able to grab a leg of turkey to gnaw on, have a cup of Glogg (hot, mulled wine) and my favorite, a hot steaming cup of Wassail.  (As in--Here we go a'wassailing.  Wassail is a traditional drink made of eggs, cider, apples, orange juice, pineapple juice, cloves, ginger, nutmeg, all of which forms a very tart and spicy drink.)
  Along with the expected characters you'll see, such as Jacob Marley's ghost, Scrooge, the Spirits of Christmas, and Father Christmas himself, you'll also find many that Dickens did not envision.  Pirates fill the streets, which certainly did exist in this time period, as well as Texas/Confederate soldiers, who also co-existed with Dickens.  The Queeen Victoria shows up, and honors the soldiers with a review.  The latest group to join in the fun are the wildly creative Steampunk characters.  These actually have some literary heritage, found mostly in the writings of H.G. Wells and Jules Verne.  This is a genre that has evolved into something more modern, with all sorts of gadgets that Wells and Verne never dreamed of, but Hollywood has certainly helped to form.
  Now in its 38th year, Dickens on the Strand is considered one of the top ten destinations to visit for Christmas fun.  There are many singing and juggling acts, street performers, and parades.  It is family friendly during the day, though it gets a little rowdy at night.  All in all, it's a wonderfully fun day for everyone.
A clever Steampunker who thinks
he can fly.

These little beggars were
cluttering up the street.

A very distinguished couple. 

Father Christmas is always sure to be on hand.

Queen Victoria reviews the Confederate Troops.

Sherlock Holmes attempts to unravel the mystery
of why he is in Texas.

Wednesday, November 28, 2012

My View of Van Gogh (Part One)

Red Vineyards Near Arles, 1888
The one painting Van Gogh sold.
If everyone says you're dead, you need to lie down.
  Perhaps the greatest artist who ever lived took this advice too literally.
  Having spent spent ten years on his craft, sketching and painting over two thousand art pieces, unable to sell more than one painting, it is generally believed that Vincent Van Gogh shot himself in despair, perhaps while he was ill.  Astonishingly, the oil paintings we know him by were done in a five year period.  There are over 800 of them.  During this time, his brother Theo, an art dealer, supported him, as did other artists, though they could not find buyers for his work.




Self-Portrait, 1889 (Inset, Vincent at 18)
  Though we might believe that a man who painted 37 self-portraits was awfully vain, I think it actually shows us how insecure he was.  Study the many different ways he painted himself: his nose is crooked in some paintings, smooth in others, his cheeks, his eyes, even the shape of his head changes.  Was he, in fact, trying to find out who he really was?  Was he trying out different visualizations of himself, in order to avoid the one vision he could not accept- that of a failed artist?  Imagine if you were Vincent Van Gogh, with his artistic eye, and you were told that the works that you had painted were worthless.  It staggers the mind.  It did his.  It certainly staggered his soul.    And one day in July, 1890, either in a wheat field, or in a barn--his isolation so complete that no one even knows where he was that day--he shot himself, then walked back to town, dying 29 hours later.  The fact that no pistol was ever found, and the artist was not known to own one, leaves many questions.  The writers Steven Naifeh and Gregory White Smith, authors of Van Gogh: The Life, have even postulated that Van Gogh had either been accidentally shot by mischievous boys or shot by a teenager in town with whom Van Gogh was known to argue.
  Whichever it was, I know one thing.  Early on, Vincent was not the melancholy spirit I had always believed him to be.  I've been reading his letters, and have found that he was a very happy, enthusiastic young man.  He was not a revolutionary painter who wanted to redefine the art world.  He was always speaking of the great artists who had come before, as well as his voracious search for new artists.  He was not a genius who disdained the talent of others.  In January of 1874, while in London, Vincent wrote to Theo about his (Theo's) new interest in art:

     I'm glad you like Millet, Jacque, Schreyer, Lambinet, Frans Hals, etc., for as Mauve says, "That's it."  That painting by Millet, L'angules du soir, "that's it," indeed- that's magnificent, that's poetry.  How I wish I could have another talk with you about art; but we'll just have to keep writing to each other about it.  Admire as much as you can; most people don't admire enough.

  And so I offer these works of Van Gogh, for all to admire.  If you are interested in reading more about Van Gogh, Delphi Classics has a great ebook collection of his work (all of his paintings) as well as a biography by Van Gogh's sister-in-law, and over 800 of his personal letters.  It can be viewed on your browser, so you can see all of his paintings in color.  The collection is $2.99.  Find it here.
Prisoners Exercising, 1890
Backyards of Old Houses in Antwerp, 1885
Olive Trees with Yellow Sky and Sun, 1889
Girl in the Street, Two Coaches in the Background, 1882
Crab (Upside Down), 1889

Friday, November 16, 2012

The Closing of the American Bookstore

I've been hearing this sob story lately about the decline of --insert a teary eye here--the decline of the American Book Store.  Just a few years ago B Dalton Books closed its last store.  There was talk of the decline of reading in our country.  Then, last year, Borders closed its last store.  A judgmental finger was pointed at Amazon as the leading cause of their downfall.  Now, we hear of Barnes & Noble stores being selectively shut down.  The end of the Brick-and-Mortar bookstore is now considered to be a near inevitability.
Books-a-Million Superstore, 1999
  Independent bookstores are in even greater peril.  First shoved aside by the large chain stores, the few that have been able to withstand such pressure are now collapsing under the competition from online sites like Amazon.  There is great weeping and gnashing of teeth over this.  We are meant to pause, hang our heads low, and feel a bit of guilt over our complicity in the demise of these once great bastions of literature, these outposts of culture in our society.  Their magnanimous, selfless attempts to keep our society supplied with the power of the written word have been betrayed by the selfish, greedy public who would have benefited most from their altruistic efforts.
  To quote Colonel Sherman T Potter: Bull-Pucky!
  Allow me to disagree.
  If you know me at all, you know I am a capitalist at heart, and I do not begrudge any company from making money from its chosen business.  If the people are willing to pay for goods or services, then they ought to pay away, and any company should be allowed to pocket the profit.  But there are some things about bookstores people really ought to know.  Things that are, if not disturbing, at least change the image of this sad demise of brick-and-mortar bookstores.
  To quote Bill Nye the Science Guy: Consider the Following.
  Bookstores have an odd view of their inventory.  They seem to feel that they are entitled to stock their shelves at no cost or risk to their pocketbooks.  It's a great idea.  Who wouldn't want to do business like this?  Bookstores look at it like this: they are willing to stock books on a shelf, as long as they only have to pay for the book after it has sold.  So they accept a book for their shelves, and invoice it out to the supplier, which essentially means they agree to pay for it in about ninety days or so.  They might do this as a consignment, which is a more honest way of admitting they won't pay for the book unless it sells, but either way, the book is not paid for during those ninety days.  At the end of this period, the books are returned, which nullifies the payment.  A nice little trick here is to return the book on the 89th day, wherein the supplier then must accept the books back, and often by agreement, the books must be destroyed.  Now the bookstore is free to order more of these same books to be printed, and they'll go on the shelf again for another ninety day stint.  (Imagine what this does to the cost of books.  Or did you think the supplier/publisher takes the loss on this deal?)
  This sounds like something out of a Woody Allen movie.  (That may be giving them too much credit.  It might be more accurate to say it sounds like something out of a Three Stooges Movie.)
  Basically, the bookstore has stocked its shelves for zero cost, and they are free to return the books at no charge.  A pretty sweet deal.
The Paris Equivalent to Barnes & Noble:
Gilbert Joseph on Blvd Saint-Michel 
  Now on top of this the bookstores demand a 50-60% discount on the titles, so that they make at least fifteen dollars off a thirty dollar hardback new-release.  Remember that the next time you're thrilled when they knock off 10% for your membership discount.  A real sacrifice on the part of the bookstore.
  Just these two practices in themselves make you wonder how poorly run a store needs to be to lose money.
  But remember what I said earlier:  If the people are willing to pay for goods or services, then they ought to pay away, and any company should be allowed to pocket the profit.  And there's the rub.  The paying public has been educated by evil people like Amazon and they are learning they don't have to kowtow to bookstores anymore.  The increased variety available online has a lot to do with this.  And here again is a brick-and-mortar bookstore sin come back to haunt them.
  In the quest to reduce risk (and overhead), traditional bookstores have joined with the larger publishing houses to target the sale of particular books.  Unable to stock all the books that are being published, and eager to sell as many books without cramming their shelves with too many different titles, bookstores have set up massive displays of new releases and helped push particular titles, manipulating people into buying one book over another.  We see a huge display as we enter a store, see the big posters that declare this new book is the book of the year, and we eagerly snatch it up.
  Well, we used to do this.  Until someone taught us a better way.
  Yeah, you know who I mean.  Those jerks at Amazon.
  Through their algorithms, Amazon has found a way to help readers learn about books that might interest them by analyzing their purchasing and browsing history and then suggesting titles to the reader.  If you've spent any time on Amazons site, you'll soon discover that they are very good at helping you find books you never would have found before, and most of them are a perfect match for your reading tastes.
  Added to this new variety is the ability to find most books as a used book, which Amazon is only too happy to help you purchase.  Most of the time you can find a used book for around four dollars (which includes shipping).  In our troubled economic times, this is of great significance to book lovers, since we cannot keep ourselves from buying books, and most of us are not up in the tax bracket that President Obama is so eager to pillage.
  Oddly enough, some of the criticism aimed at Amazon has been that they are undermining the publishing industry, making it nearly impossible for authors to make a living as writers.  It has even been suggested this is un-American, as if they are going to destroy the artistic vein of our great country.  But to make this suggestion would also point the finger at public libraries all over the country, which are far more aggressively undermining the publishing industry by allowing everyone to share a book.  If public libraries haven't killed the publishing industry since Andrew Carnegie opened up 1,689 libraries across the United States in the early 1900s, then I seriously doubt Amazon will be able to.  (Don't think the library is agressive?  What about their guerrilla efforts to bring free books to the people by use of their mobile anti-bookstore weapon--the Bookmobile?  One of which I saw just the other day.  I had no idea they were still around.  Man, I loved climbing on board the bookmobile when I was a little five-year-old.  But I digress...)
  As a matter of fact, I've spent more money on books since Amazon has opened up than I ever did when bookstores and libraries were my only option.  Most of the time, to save money, I'd just go to the library to get the book I wanted.  Now, I never use the library.  I usually buy my books, from both Amazon and my local bookstore.
  I guess I'm just tired of hearing how evil Amazon is, and how sad it is that bookstores are being run out of business by them.  In my opinion, what we are really seeing are the results of an industry that has been overly greedy in its desire to protect and increase its profits.  Their customers have been educated enough to discover there is a better way.
An Independent Bookstore that has
managed to stay in business far longer
than B Dalton ever did.
  Do I mourn the loss of brick-and-mortar bookstores?  No.  I'll miss them.  I've always loved to wander their aisles, browsing the titles, pulling out each book, paging through it, wishing I could buy every book that caught my fancy.  But you know what, I do the same thing at Amazon, and though I cannot pick up each book by hand, I can browse through them, and even better, Amazon helps me find similar books far faster.  There are trade-offs that make it worthwhile.
  So the next time you feel sorry for a bookstore chain that is closing, think of all the books that were destroyed in order to allow that bookstore to make a profit.
  As for the small, independent bookstores, I'm not sure what can be done for them.  If the public cannot afford their mark-up, it is not the public's fault, nor is it the fault of the bookstore's.  Unless people are just willing to donate money to keep the store open, which has actually happened in some communities (efforts that I wholeheartedly applaud), perhaps there is nothing that can be done.  Our society is evolving, and some changes may just be inevitable.
  As for now, I have a small stack of books waiting to be read.  Some of them I bought new at my local Books-a-Million, some I bought either new or used at Amazon.  I also have used books that were bought at our local Goodwill.  I am eager to read all of these books.  No matter where I bought them, they're still a joy to read.
  (While I recognize the dynamic changes the eBook has wrought, I'll leave that subject, as well as the emotionally charged subject of self-published books, to another post.  Full disclosure: I am not a representative of Amazon, although I do have books available with them online.  Said books can also be bought online at Barnes & Noble or ordered in the stores.  I have books for sale in several Independent bookstores in the New Orleans area.  One more bit of information to disclose:  I've done my part to keep bookstores open.  Stop by my house.  You'll see you have to walk around the stacks of books that clutter it from one end of the house to the other.  The amount of books I've bought is somewhat ridiculous!)

Monday, November 12, 2012

A Veteran's Day View of Cities of the Dead

Free Ebook Downloads Nov 12th through the 14th
Due to my work schedule, I was unable to get this posted on Veteran's Day, but I am going to go ahead with it a day late.  In conjunction with our second promotional giveaway for Cities of the Dead, I will post a story from the book that has not yet been published in print or on the web outside of the book itself.
This story involves the spirits from a Confederate Artillery Regiment, whose bodies were buried together in a Society Tomb.  The memorial in question is real.  The story is fictional.  War is hell, as General Sherman said, but it doesn't always end when we think it does.



by Jason Phillip Reeser 

            Early mornings in the Firemen’s Cemetery are notoriously shrouded in mist.  Educated men might explain this by pointing out the land’s elevation in relation to the nearest waterways as well as the role played by local weather.  Those of a particular engineering bent would add the importance of Interstate 10 running along its western border.  Spiritually minded men might suggest that regardless of such natural influences, these sacred grounds are a nexus wherein heaven and earth join, allowing the passing of so many souls that a certain residue is inevitably to be seen with the aid of the day’s first sunlight.
            The Fireman’s Charitable and Benevolent Association had consecrated these grounds in the year 1852 and tourists might believe the more mischievous tour guides who spin tales of ghostly smoke and water-sprays from spectral hoses.  The awkwardly dressed men with cameras enjoy the idea that firemen of old still battle it out with ancient fires for all eternity.  Their wives tend to shudder at this image; some of them familiar with the dread of waiting for a husband to return from a hazardous job, and some simply burdened with an ingrained human alarm towards house fires.
            Educated men scoff at notions of this kind and even spiritual men hesitate to give it credence.  And in the end the tourists will tuck their photos away in a box along with the tour guide’s fanciful tale and forget all about it.  Neither the scholars, nor the religious, nor the tourists will ever understand just how close to the truth such tales do come.
            Before the first ray of each new dawn, just as it seems as if the grip of night’s darkness will never be broken, those who sleep lightly in the Fireman’s Cemetery are disturbed by a muffled racket coming from a great, square society tomb.  Standing along one open lane, deep within the field of the dead, it is rather plain in appearance, and by starlight is dreary looking—a heavy, squat figure resembling a rundown tenement or forgotten bureaucratic cellblock.  Across the top edge of this monument, if the darkness were pulled away, one would see these words: Soldiers’ Home.
            A man’s tired voice murmurs a few words, the only reply a sharp clank of metal on stone.  Shuffling steps echo against the neighboring tombs, and then someone coughs.  There is the sound of running followed by jeering laughter.  A lower voice, wide and powerful, demands an answer.  For the first time, distinct words are heard.  “Yessir!”
            Now, a great many footsteps can be heard.  Rattling and clattering mix with coughing and veiled curses.  It is evident that as many as ten or twenty men are moving about in the dark.  If they are all of one purpose, it does not sound so.  A short quarrel, muffled by the shroud of pre-dawn but no less violent than if it were conducted in sunlight, is cut short by a harsh command.  The runner returns at the same time.  Most of the clamor is now out on the open lane, in front of the Soldiers’ Home.  There is less noise, though a few more words are clearer now.
            “Watch that,” a husky voice warns.
            “All right, all right.”  The lower voice concedes.
            “Battery,” a quick whisper.  The last of the muted clanks and shuffles comes to an end.
            All is silent now save for one figure who cannot stop coughing.
            “Battery.”  This time, the voice carries more authority.  The coughing stops for a breath, but begins anew.
            The low voice issues an order.  The coughing figure moves away from the others, back towards the dark block.
            “Battery.”  There is no more noise.  The black morning air holds for a collective pause.
            The forms of men can now be seen as the first bit of grey is mixed into the atmosphere.  There are four rows of men, five abreast, facing the Soldiers’ Home.  Before them stand two men, off to one side stands a thinner man.  By their silhouettes, it is obvious that the men are standing at attention, arms held at their sides.  Each man’s head is covered by a misshapen cap.  A few exceptions are bareheaded.  All are uniformed, though most of the blouses ill fitting.
            The thin man steps forward, facing the Battery.  He bows his head and speaks.
            “Our Father, which art in heaven…” his voice is as thin as his shadow.
            The Battery joins in.  The words of the prayer echo down the grassy lane, swallowed by the lingering night.  When they finish, they are silent for a full minute.
            From out of the Soldiers’ Home comes the sound of a stifled cough.
            “Detail.”  The word cuts the silence like an alarm, and the black forms break formation.  Each line of men makes its way to one of the corners of the Soldiers’ Home.  Most of the black night has been replaced by a heavy gray that allows the men to be able to see shapes but nothing more.  It is all that they need.  Each corner of the blocked structure is composed of a cannon barrel standing on end.  In the middle of the east and west walls stand two other cannon, though there are not enough men to work these.  The men toil swiftly, their carefully plotted routine insuring that each cannon is lowered without injury to the men or damage to the stone artillery pieces.
        As this is being done, two men from each detail pull open the nearest bottom vault and withdraw a stone cradle which will hold each great barrel.  As their comrades set the cannons into the cradles, they already begin to withdraw bags of gunpowder, as well as the rammers, cleaning worms, sponges, lanyards, and friction primers.  As one man seals each vent hole with his thumb, they first worm and swab out the barrels, removing any bits of masonry chips and dust that fell in during the process of removing the cannons from the monument.  The vent holes are then cleaned out in the same manner. By the time the cannons are secured to the cradle, each team is ready to load their gun.
            A bag of powder is rammed into place, and the brass friction primer is loaded into the vent hole.  A stone cannon ball, from a stack on the monument’s corners, is rammed into place.  The five men now come to attention as one of them chuffs “Ready to fire!”  One of the details is slow, and finishes ten seconds behind the others.  An officer fidgets with his pocket watch.
            “They’ll make it, Colonel.”  The husky voice tries to reassure him.
            “All right, all right.”  The Colonel’s low voice betrays his aggravation.
            “It’s Vincent’s men.  There’s only four of them.  Theirs was the man with the cough.”
            “Yes, I know that, Major.”
            Enough light has crept into the field to allow the two officers to see facial expressions.  The Colonel tries to smile.  The strain is unmistakable even in the dim light.
            “I don’t like the men to be slack, Major.  I was easy on them.  Too easy.  It’s why we’re all here.”
            “Begging your pardon, sir, but that’s foolish.  You’re not to blame.”
            “Battery!”  The Colonel’s command cracks out sharply, ricocheting off the nearest crypts.  The men stiffen, each gunner’s hand grasping tightly to his lanyard.
            “You know I’m right, sir.  This melancholy of yours comes and goes.  You’ll think better of it.  Just give it time.”  The Major gently touches his commanding officer’s arm.  “We’ve been over this hundreds of times.”
            The Colonel ignores the touch and the comforting words, staring instead at his pocket watch.  He draws in a deep breath and then, without pause, barks:
            “Fire!”
            The four cannons belch smoke and thunder as well as stone chips and plaster dust.  Quickly, as if their former lives depend on it, the men reload.  Vincent’s detail keeps up with the others and a second volley is fired.  They fire a third and fourth volley as the smoke obliterates what little light the morning has to offer.  Their world is no longer black.  It is grey and white, the air thicker than the silk lining of the finest coffins.
            “Shall they reload?” the Major asks.  His men wait for his order.  He steps closer to the Colonel in an attempt to see him clearly through the haze.
            “Why do you always insist it is not my fault?”  The Colonel snaps his pocket watch shut and rams it into his jacket.  “I told Division they were ready.  I volunteered them.  Insisted they be sent forward.  You call me a fool?  Only a fool would deny me this judgment.”
            “The men, sir?”  The Major waits for his Colonel’s decision.
            “Again, Major.  They’re off this morning.  And the sick man is not to blame.”
            “Battery, reload!”  The Major’s shout lacks conviction and carries emotion he had hoped to keep hidden.
            “Do not worry, Major.  I know you disagree.  You think I’m too hard on them.”
            “On yourself, sir.”
            The men are grimy with carbon, grout and sweat.  The chalky residue from the stone guns is smeared across their faces, making them appear all the more ghostly.  They work with determination, dragging out more bags of gunpowder, swabbing out the barrels, and ramming the loads in place.  It is hot work.  The cloying humidity, even in the early morning, attacks them.  They press on, knowing there is no respite unless they improve.  The Colonel has been known to push them until the late morning sun has finally forced them back into their graves.  They fear this as much as they fear real combat.  The sun is painful, and cuts deeply into their souls.
            Yet, in the face of this toil and pain, they persevere.  If they are ever to find peace, they know they must satisfy their Colonel.  They must show him that his will has driven them beyond their limitations.  That he has forced improvement upon them to such an extent that time can be reversed, they can be saved, and he can be redeemed.  By his own sheer resolution he must drag them out of the pit that he himself dug for them.
            He is demanding the impossible but they do not balk in the face of it.  Yes, it is hard work.  It is madness.  But they soldier on.
            “Fire!”
            Smoke rolls in every direction.  It filters down each adjacent lane, spreading its nauseating stench over and into tomb after tomb.  Many of the dead, long used to this barrage, keep quietly in their crypts, content to wait out the Colonel’s self-inflicted fury.  On this day, there are no new arrivals to annoy him, demanding that he stop.  The newest residents in the nearby crypts have already tried this and learned that the old soldier is as unmovable as Stonewall Jackson ever was.  They will hate him for a long time.  Eventually, as with the older dead, they will come to pity him.
            “Cease fire!”  The call is as loud and punishing as his earlier order to fire.  And it does not mean the soldiers will now get their rest.  Now they must move sharply, and attack the cannons in reverse, lifting the great barrels back into place, and stowing the cradles and tools without delay.  If this is not done right, they may be forced to do it all over again.  They work feverishly, both desiring to please their Colonel and fearful of his retribution.
            “You see, Major, responsibility must rest somewhere.  It cannot be passed along indefinitely.  Even if it could, it should not be.  Someone has to step in and take the weight of it.  You must surely see that this is so.”
            The Major watches his men struggle to lift the stone cannons.  In a way, his task is just as difficult.  Just as repetitive.  He has argued this point countless times.  But he has never given in.
            “Someone does take responsibility, Colonel.  Someone of a much higher rank.  You would not presume to make yourself His equal, would you?”
            “Look closely at these vaults,” the Colonel steps closer to the Soldiers’ Home.  The large memorial consists of five stacked rows of burial vaults.  There are four vaults to each row.  “As you are well aware, there are no names here.  Only numbers.  These men were destroyed beyond recognition.  Twenty men on this side, twenty on the south side.  Yet, we are only able to cobble together enough pieces to make twenty-four men.  My God!  I’ll be damned if I’ll stand for it.”
            The Colonel puts out a hand and leans heavily against a marble vault.  His breaths are short and awkward.
            “You insult your Superior by this proud obduracy.”  The Major is not moved by the Colonel’s emotion.  He once was long ago, but he has not been for a long time.  He makes an effort to win the argument nonetheless.  “Step aside, and admit your limitations.  You are not God, and He never expected you to be one.  There are times when other men’s actions—even sins—affect us.  We have no control over them.  We simply do what we must and the end comes out all of its own accord.”
            The men of the Battery, constructed from the detritus of war, reassemble on the grassy lane, now at attention.  Their eyes wide with the terror of expectancy.  Their ears still ring with the cacophony of their exercise, they tremble with an excess of adrenaline.  They only wait now to hear their commander’s judgment.
            The Colonel eyes them with weary assessment.  He has seen them perform better.  He knows it.  They know it.  But he is also aware they have done the best they could for that day.  The larger question he must answer is whether or not it is enough.
            “Step aside, you said?” the Colonel asks softly.  “How that I wish I might.”
            He tugs at his buttoned collar and looks over the heads of his men.  The smoke has spread out over the burial ground now, a white mist in the rays of the morning sun.  The smoke will clear eventually, and the sun will burn them if they do not get under cover soon.
            “Battery, fall out.”  His order is nearly a whisper, but the men hear it plainly enough.  They break ranks and step out of the wide, grassy lane.
            In the miasma of smoke and sunlight, the weary soldiers climb into their stone barracks, making little jokes as they go.  They need rest.  And at least for a day, they will get it.
            “Thank you, Major.  That will be all.  For this day.”
            The Major disappears around one corner of the large tomb.  His quarters are on the south side.  Left alone, the Colonel stands erect as the smoke begins to clear.  He endures the sunlight for a short time.  It burns, and he imagines it is necessary.
            “Not God.”  The Colonel chafes at the Major’s impudence.  “The man’s got gall, I’ll say that for him.”
            And then he is gone.  The Colonel lies in his vault, just another corpse in a tomb that he has built with the power of his pride.
            A cough is heard inside the Soldiers’ Home.  Then nothing more.
            The sun rises.  Early morning tourists remark upon the mist that lingers over the burial field.  Another day begins.


To all of those men and women who have given of themselves for our country, I say thank you, and may God grant you the peace that passes all understanding.