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Showing posts with label American Civil War. Show all posts
Showing posts with label American Civil War. Show all posts

Monday, October 20, 2014

Oak Alley Plantation: An Iconic View (Part Three)


Oak Alley Plantation, Vacherie, Louisiana

For the final portion of our tour, I promised to take everyone inside the main house at Oak Alley.  A man's reputation is won and lost on how he handles his promises, and I wouldn't want to give the impression that my promises are not worth the Ethernet they're written on.  So let's go ahead and amble up to the front door.  There we'll find a friendly guide to take us through the front door.


Here you can see the front door, and the beautiful scene that awaits visitors.  Don't be shy.  Step right in.  You are more than welcome to enjoy the wonderful scenes that await in every room.

Now, to be honest with you, I won't even try to describe the historical details and architectural features of the house.  For that, be sure to take the tour yourself.  Our own guide was bursting with stories and details that make the tour well worth the ticket price.  But I would like to share a few pictures that we took as we made our way through the house.


Speaking of guides, here you can see our guide, dressed as if she stepped right out of the Antebellum era.  For those of you who aren't familiar with the term, Antebellum refers to the period of time before the American Civil War.  That is the era to which this term is attached in the United States.  From what I understand, the rest of the world considers the years leading up to World War I as the Antebellum era.  But for our purposes, and this tour, we'll stick with the American definition.

The pictures on the far wall are paintings of Jacques and Celina Roman, who lived in this house from 1836 to 1866.  (Celina lived in the house after Jacques' death in 1848 until her own death in 1866.)


A punkah fan hangs over this long dining room table.  When the family had slaves, a house slave would sit in the corner and pull on a rope.  This kept the fan in motion, cooling the diners as they ate.



We were encouraged to keep an eye out for ghosts, especially ones that might show up in our photographs.  An active imagination might be tempted to think I caught one here, but I'll have to disappoint everyone and point out it is only the glare from the sun.  (Or is it?)  The stairs are quite steep, and in fact, one of the Roman children, Louise, fell down stairs when her hoop skirt caught.  She lost a leg in the accident.  Though it was thought that she fell down the stairs in Oak Alley, recent reports tell us she in fact was in New Orleans at the time.  But if you stand at the top of the stairs here, you can believe how easy it would be to fall down such steep stairs.


On the second floor you'll find the Roman's bedroom.  It was here that Jacques Roman died in 1848.  The historical detail in this room is wonderful to examine, including the chandelier.


Be sure to check out the detail work above the lights.


Across from the Roman Bedroom is the only room in the house that is not decorated in the Antebellum style.  This was Josephine Stewart's room.  She lived in the house from 1925 until October 3, 1972.  Mrs. Stewart founded the Oak Alley Foundation, which enables the plantation to remain open for the public.

For more information on Josephine Stewart, click here.

And if you missed the first two parts of this tour be sure to check them out.



For more information on Oak Alley, be sure to visit their website:  Oak Alley Plantation

To see all of our posts featuring Louisiana Plantations click on the link below:
Louisiana Plantations at Room With No View

And check out our newest 2015 New Orleans Calendars:


Wednesday, September 24, 2014

Oak Alley Plantation: An Iconic View (Part Two)


Oak Alley Plantation, Vacherie, Louisiana.

For our second look at Oak Alley we will take a walk down the back alley.  That's right.  There are, in fact, two magnificent approaches to the house.  The trees are younger here, some of them having been planted over a hundred years later than the oaks in the front of the house by the Roman family, the rest of them added by the Stewarts another hundred years later in the 1930's.  This approach is the path visitors first use to reach the main house.

The centerpiece at the end of the lane is an iron sugar kettle, once used to refine the sugar that was the main product of this plantation.  Four kettles, the largest seven and a half feet in diameter, the smallest four feet in diameter, comprised what is known as a Jamaica Train, where cane juice was processed into crystallized sugar.  Molasses, a by-product of the process, was also produced.


Walking past the sugar kettle, and out to the end of the back alley, visitors will find the Oak Alley Restaurant, housed in a turn of the (20th) century quarter house.  It was here that tenanted farmers and their families lived, each square building consisting of four rooms centered on a single fireplace.

Breakfast is served here from 8:30 to 10:30.  Beignets and coffee are a popular choice here, as well as their Pan Perdue, a French toast covered in confectionery sugar and cane syrup.  Since it opens earlier than the house tours this is a great chance to relax and fuel up before walking the grounds.

Lunch is served from 11:00 to 3:00 p.m. with an emphasis on Cajun and Creole cuisine.  You'll have your choice of red beans and rice, fried alligator nuggets, crawfish etouffée, gumbo and a daily special from chef Antonio Reymundo.  (And don't forget to grab some bread pudding with whiskey sauce, unless you'd rather have some pecan pie.)

There is also a café open from 9 to 5 p.m. where you'll be able to grab a quick refreshment if you weren't planning on a full meal.  It is located in the gift shop, which is connected to the restaurant.



Across from the restaurant and gift shop is Oak Alley Spirits.  It was a little too early in the day for us to sample the Apple Pie Moonshine, though it did sound intriguing.


Between the restaurant and the main house is a reconstruction of the plantation's slave quarters.  The Slavery at Oak Alley exhibit, which was added in July of 2013, is an educational memorial to the slaves that built and worked this plantation.  Though slavery is forever tied to its history here, keep in mind it was only in use at Oak Alley for thirty years.


The exhibit does not shy away from the ugliness of slavery.  On display are shackles as well as implements used for punishment, including neck shackles with bells, used as a way to make it harder for an escaped slave to hide.  The children's transport shackles in the center of the picture are especially sobering.


I really liked this simple yet moving memorial inside one of the cabins.  Alongside the wall of names is a plaque that reads:

Between 1836 and the Civil War, 198 men,
women and children were enslaved at Oak Alley.
Dehumanized and quantified like any other
commodity, they appear in sales and records and
inventories, yet as people they have been all but
forgotten by history.

This is a respectful recognition of the people on whose
backs this plantation was built.  For most of them, a
name is all that remains of their story.

There is also an interactive Civil War Encampment on the grounds as well as an 1890's blacksmith shop.  If you have the time you might also enjoy the antique car garage, featuring cars from the 1920's representing the Stewart era.



In part three of our tour we will step inside the main house and look at what life was like for the Romans and Stewarts.

If you missed part one of the tour, you can follow this link to it: Oak Alley (Part One)
For more information on Oak Alley see their website here.

Monday, November 12, 2012

A Veteran's Day View of Cities of the Dead

Free Ebook Downloads Nov 12th through the 14th
Due to my work schedule, I was unable to get this posted on Veteran's Day, but I am going to go ahead with it a day late.  In conjunction with our second promotional giveaway for Cities of the Dead, I will post a story from the book that has not yet been published in print or on the web outside of the book itself.
This story involves the spirits from a Confederate Artillery Regiment, whose bodies were buried together in a Society Tomb.  The memorial in question is real.  The story is fictional.  War is hell, as General Sherman said, but it doesn't always end when we think it does.



by Jason Phillip Reeser 

            Early mornings in the Firemen’s Cemetery are notoriously shrouded in mist.  Educated men might explain this by pointing out the land’s elevation in relation to the nearest waterways as well as the role played by local weather.  Those of a particular engineering bent would add the importance of Interstate 10 running along its western border.  Spiritually minded men might suggest that regardless of such natural influences, these sacred grounds are a nexus wherein heaven and earth join, allowing the passing of so many souls that a certain residue is inevitably to be seen with the aid of the day’s first sunlight.
            The Fireman’s Charitable and Benevolent Association had consecrated these grounds in the year 1852 and tourists might believe the more mischievous tour guides who spin tales of ghostly smoke and water-sprays from spectral hoses.  The awkwardly dressed men with cameras enjoy the idea that firemen of old still battle it out with ancient fires for all eternity.  Their wives tend to shudder at this image; some of them familiar with the dread of waiting for a husband to return from a hazardous job, and some simply burdened with an ingrained human alarm towards house fires.
            Educated men scoff at notions of this kind and even spiritual men hesitate to give it credence.  And in the end the tourists will tuck their photos away in a box along with the tour guide’s fanciful tale and forget all about it.  Neither the scholars, nor the religious, nor the tourists will ever understand just how close to the truth such tales do come.
            Before the first ray of each new dawn, just as it seems as if the grip of night’s darkness will never be broken, those who sleep lightly in the Fireman’s Cemetery are disturbed by a muffled racket coming from a great, square society tomb.  Standing along one open lane, deep within the field of the dead, it is rather plain in appearance, and by starlight is dreary looking—a heavy, squat figure resembling a rundown tenement or forgotten bureaucratic cellblock.  Across the top edge of this monument, if the darkness were pulled away, one would see these words: Soldiers’ Home.
            A man’s tired voice murmurs a few words, the only reply a sharp clank of metal on stone.  Shuffling steps echo against the neighboring tombs, and then someone coughs.  There is the sound of running followed by jeering laughter.  A lower voice, wide and powerful, demands an answer.  For the first time, distinct words are heard.  “Yessir!”
            Now, a great many footsteps can be heard.  Rattling and clattering mix with coughing and veiled curses.  It is evident that as many as ten or twenty men are moving about in the dark.  If they are all of one purpose, it does not sound so.  A short quarrel, muffled by the shroud of pre-dawn but no less violent than if it were conducted in sunlight, is cut short by a harsh command.  The runner returns at the same time.  Most of the clamor is now out on the open lane, in front of the Soldiers’ Home.  There is less noise, though a few more words are clearer now.
            “Watch that,” a husky voice warns.
            “All right, all right.”  The lower voice concedes.
            “Battery,” a quick whisper.  The last of the muted clanks and shuffles comes to an end.
            All is silent now save for one figure who cannot stop coughing.
            “Battery.”  This time, the voice carries more authority.  The coughing stops for a breath, but begins anew.
            The low voice issues an order.  The coughing figure moves away from the others, back towards the dark block.
            “Battery.”  There is no more noise.  The black morning air holds for a collective pause.
            The forms of men can now be seen as the first bit of grey is mixed into the atmosphere.  There are four rows of men, five abreast, facing the Soldiers’ Home.  Before them stand two men, off to one side stands a thinner man.  By their silhouettes, it is obvious that the men are standing at attention, arms held at their sides.  Each man’s head is covered by a misshapen cap.  A few exceptions are bareheaded.  All are uniformed, though most of the blouses ill fitting.
            The thin man steps forward, facing the Battery.  He bows his head and speaks.
            “Our Father, which art in heaven…” his voice is as thin as his shadow.
            The Battery joins in.  The words of the prayer echo down the grassy lane, swallowed by the lingering night.  When they finish, they are silent for a full minute.
            From out of the Soldiers’ Home comes the sound of a stifled cough.
            “Detail.”  The word cuts the silence like an alarm, and the black forms break formation.  Each line of men makes its way to one of the corners of the Soldiers’ Home.  Most of the black night has been replaced by a heavy gray that allows the men to be able to see shapes but nothing more.  It is all that they need.  Each corner of the blocked structure is composed of a cannon barrel standing on end.  In the middle of the east and west walls stand two other cannon, though there are not enough men to work these.  The men toil swiftly, their carefully plotted routine insuring that each cannon is lowered without injury to the men or damage to the stone artillery pieces.
        As this is being done, two men from each detail pull open the nearest bottom vault and withdraw a stone cradle which will hold each great barrel.  As their comrades set the cannons into the cradles, they already begin to withdraw bags of gunpowder, as well as the rammers, cleaning worms, sponges, lanyards, and friction primers.  As one man seals each vent hole with his thumb, they first worm and swab out the barrels, removing any bits of masonry chips and dust that fell in during the process of removing the cannons from the monument.  The vent holes are then cleaned out in the same manner. By the time the cannons are secured to the cradle, each team is ready to load their gun.
            A bag of powder is rammed into place, and the brass friction primer is loaded into the vent hole.  A stone cannon ball, from a stack on the monument’s corners, is rammed into place.  The five men now come to attention as one of them chuffs “Ready to fire!”  One of the details is slow, and finishes ten seconds behind the others.  An officer fidgets with his pocket watch.
            “They’ll make it, Colonel.”  The husky voice tries to reassure him.
            “All right, all right.”  The Colonel’s low voice betrays his aggravation.
            “It’s Vincent’s men.  There’s only four of them.  Theirs was the man with the cough.”
            “Yes, I know that, Major.”
            Enough light has crept into the field to allow the two officers to see facial expressions.  The Colonel tries to smile.  The strain is unmistakable even in the dim light.
            “I don’t like the men to be slack, Major.  I was easy on them.  Too easy.  It’s why we’re all here.”
            “Begging your pardon, sir, but that’s foolish.  You’re not to blame.”
            “Battery!”  The Colonel’s command cracks out sharply, ricocheting off the nearest crypts.  The men stiffen, each gunner’s hand grasping tightly to his lanyard.
            “You know I’m right, sir.  This melancholy of yours comes and goes.  You’ll think better of it.  Just give it time.”  The Major gently touches his commanding officer’s arm.  “We’ve been over this hundreds of times.”
            The Colonel ignores the touch and the comforting words, staring instead at his pocket watch.  He draws in a deep breath and then, without pause, barks:
            “Fire!”
            The four cannons belch smoke and thunder as well as stone chips and plaster dust.  Quickly, as if their former lives depend on it, the men reload.  Vincent’s detail keeps up with the others and a second volley is fired.  They fire a third and fourth volley as the smoke obliterates what little light the morning has to offer.  Their world is no longer black.  It is grey and white, the air thicker than the silk lining of the finest coffins.
            “Shall they reload?” the Major asks.  His men wait for his order.  He steps closer to the Colonel in an attempt to see him clearly through the haze.
            “Why do you always insist it is not my fault?”  The Colonel snaps his pocket watch shut and rams it into his jacket.  “I told Division they were ready.  I volunteered them.  Insisted they be sent forward.  You call me a fool?  Only a fool would deny me this judgment.”
            “The men, sir?”  The Major waits for his Colonel’s decision.
            “Again, Major.  They’re off this morning.  And the sick man is not to blame.”
            “Battery, reload!”  The Major’s shout lacks conviction and carries emotion he had hoped to keep hidden.
            “Do not worry, Major.  I know you disagree.  You think I’m too hard on them.”
            “On yourself, sir.”
            The men are grimy with carbon, grout and sweat.  The chalky residue from the stone guns is smeared across their faces, making them appear all the more ghostly.  They work with determination, dragging out more bags of gunpowder, swabbing out the barrels, and ramming the loads in place.  It is hot work.  The cloying humidity, even in the early morning, attacks them.  They press on, knowing there is no respite unless they improve.  The Colonel has been known to push them until the late morning sun has finally forced them back into their graves.  They fear this as much as they fear real combat.  The sun is painful, and cuts deeply into their souls.
            Yet, in the face of this toil and pain, they persevere.  If they are ever to find peace, they know they must satisfy their Colonel.  They must show him that his will has driven them beyond their limitations.  That he has forced improvement upon them to such an extent that time can be reversed, they can be saved, and he can be redeemed.  By his own sheer resolution he must drag them out of the pit that he himself dug for them.
            He is demanding the impossible but they do not balk in the face of it.  Yes, it is hard work.  It is madness.  But they soldier on.
            “Fire!”
            Smoke rolls in every direction.  It filters down each adjacent lane, spreading its nauseating stench over and into tomb after tomb.  Many of the dead, long used to this barrage, keep quietly in their crypts, content to wait out the Colonel’s self-inflicted fury.  On this day, there are no new arrivals to annoy him, demanding that he stop.  The newest residents in the nearby crypts have already tried this and learned that the old soldier is as unmovable as Stonewall Jackson ever was.  They will hate him for a long time.  Eventually, as with the older dead, they will come to pity him.
            “Cease fire!”  The call is as loud and punishing as his earlier order to fire.  And it does not mean the soldiers will now get their rest.  Now they must move sharply, and attack the cannons in reverse, lifting the great barrels back into place, and stowing the cradles and tools without delay.  If this is not done right, they may be forced to do it all over again.  They work feverishly, both desiring to please their Colonel and fearful of his retribution.
            “You see, Major, responsibility must rest somewhere.  It cannot be passed along indefinitely.  Even if it could, it should not be.  Someone has to step in and take the weight of it.  You must surely see that this is so.”
            The Major watches his men struggle to lift the stone cannons.  In a way, his task is just as difficult.  Just as repetitive.  He has argued this point countless times.  But he has never given in.
            “Someone does take responsibility, Colonel.  Someone of a much higher rank.  You would not presume to make yourself His equal, would you?”
            “Look closely at these vaults,” the Colonel steps closer to the Soldiers’ Home.  The large memorial consists of five stacked rows of burial vaults.  There are four vaults to each row.  “As you are well aware, there are no names here.  Only numbers.  These men were destroyed beyond recognition.  Twenty men on this side, twenty on the south side.  Yet, we are only able to cobble together enough pieces to make twenty-four men.  My God!  I’ll be damned if I’ll stand for it.”
            The Colonel puts out a hand and leans heavily against a marble vault.  His breaths are short and awkward.
            “You insult your Superior by this proud obduracy.”  The Major is not moved by the Colonel’s emotion.  He once was long ago, but he has not been for a long time.  He makes an effort to win the argument nonetheless.  “Step aside, and admit your limitations.  You are not God, and He never expected you to be one.  There are times when other men’s actions—even sins—affect us.  We have no control over them.  We simply do what we must and the end comes out all of its own accord.”
            The men of the Battery, constructed from the detritus of war, reassemble on the grassy lane, now at attention.  Their eyes wide with the terror of expectancy.  Their ears still ring with the cacophony of their exercise, they tremble with an excess of adrenaline.  They only wait now to hear their commander’s judgment.
            The Colonel eyes them with weary assessment.  He has seen them perform better.  He knows it.  They know it.  But he is also aware they have done the best they could for that day.  The larger question he must answer is whether or not it is enough.
            “Step aside, you said?” the Colonel asks softly.  “How that I wish I might.”
            He tugs at his buttoned collar and looks over the heads of his men.  The smoke has spread out over the burial ground now, a white mist in the rays of the morning sun.  The smoke will clear eventually, and the sun will burn them if they do not get under cover soon.
            “Battery, fall out.”  His order is nearly a whisper, but the men hear it plainly enough.  They break ranks and step out of the wide, grassy lane.
            In the miasma of smoke and sunlight, the weary soldiers climb into their stone barracks, making little jokes as they go.  They need rest.  And at least for a day, they will get it.
            “Thank you, Major.  That will be all.  For this day.”
            The Major disappears around one corner of the large tomb.  His quarters are on the south side.  Left alone, the Colonel stands erect as the smoke begins to clear.  He endures the sunlight for a short time.  It burns, and he imagines it is necessary.
            “Not God.”  The Colonel chafes at the Major’s impudence.  “The man’s got gall, I’ll say that for him.”
            And then he is gone.  The Colonel lies in his vault, just another corpse in a tomb that he has built with the power of his pride.
            A cough is heard inside the Soldiers’ Home.  Then nothing more.
            The sun rises.  Early morning tourists remark upon the mist that lingers over the burial field.  Another day begins.


To all of those men and women who have given of themselves for our country, I say thank you, and may God grant you the peace that passes all understanding.

Monday, May 28, 2012

My View of Memorial Day

  Here in the United States we take the time to honor those Americans who fell in defense of our country on this last Monday in May.  War is never glorious.  War is never to be desired.  Yet war cannot always be avoided.  But sometimes, though we cannot always understand it, wars have been desired, wars have been glorious, and wars that could have been avoided have been fought.
  The American Civil War was one such war that many men desired despite the fact that it could have been avoided.  It is also a war that has been elevated to the status of a Glorious Struggle.  Great men have written great words to describe what was only a family argument that ended in the spilling of more American blood than all other American wars combined.  I do not take this moment to debate the rights and wrongs of that war.  I will confess that as a young man I loved to read about this war, visit the battlefields, and even dreamed of participating in it.  I have lived on both sides of the battle lines, and have lived among the descendants of both armies.  I can tell you that both camps take great pride in the events of that bloody conflict.  Many of them understand the importance of remembering in order to prevent such tragedy again.  Many do not.  But I am only taking this opportunity to remind us all what can happen when political division is taken too far.
  No, I don't believe our current disagreement over taxes will lead to a full-scale war.  But such a war occurred in 1776, and thousands of men died as a result.  No, I don't believe our argument over abortion will lead to combat in the streets of small towns all over the East Coast.  But such a war occurred in 1861 over the argument of slavery and hundreds of thousands of men died for it.
  By one account, there are seven civil wars presently being fought in the world.  A recent United Nations report found that since 1970, more deaths from civil war have occurred than deaths in all other wars fought in that period.  They are also lasting longer, from an average of two and a half years (pre-1970) to over three times that by the year 2000.  This kind of strife is horrific, tearing communities and families apart.  It leads to bitterness that can hardly be described. 
  The personal attacks that I have already begun to see during this political season in the United States saddens me.  I rarely hear anything close to actual debate about any issues.  Our ability to participate in rational discussion over emotional tirades seems to grow weaker each year.  I know that you can go back to the historical record and find plenty of emotional histrionics in the old campaigns.  But today, with our constant barrage of social interaction on the web, it would be prudent to pull back and look at how we treat each other.  Harsh words are easily tossed about when you do not have to look your victim in the eye.  But those words linger even longer on the web than if they were only said in person.  An attack on a social network can be read again and again, and passed around far more accurately than gossip.  And this kind of thing leads to serious conflict.
  If the only option you have to defend your position is to attack your opponent, you have already lost the debate.  Promote your position.  Do not tear down your opponent's position.  Otherwise, find something else to talk about since it is obvious you do not know enough about the subject at hand.
  The photographs are from Gettysburg National Military Park, from June of 2011.  My visits to such parks no longer inspire me.  While I respect those who sacrificed their lives for something they believed in, I am simply overcome by the sheer tragedy of it all.  I am baffled by the lack of rational conflict resolution.  Perhaps by living on both sides of the battle line I have learned to see both sides of the story.  And neither side fills me with pride.