A View of The Lalaurie Horror

The Lalaurie Horror by Jennifer Reeser

(Today's post is just to point you in the direction of really great new release from Jennifer Reeser, a wonderful formalist poet who, I'm proud to say, is also my wife.)

Twice Nominated for Literature's Pushcart Prize.

On April 10, 1834, fire erupted at the mansion of wealthy, beautiful, twice-widowed socialite Madame Marie Delphine Lalaurie, a Creole of French and Irish heritage living on Royal Street in the famed French Quarter of New Orleans, Louisiana. First responders discovered seven slaves in the attic, victims of her torture chained to the mansion walls.

They were rescued, though to this day, at least seventeen slaves belonging to Madame Lalaurie remain vanished without a trace, and the roster of slave children, adults and elderly who mysteriously died in her care is considerable.  The lady herself escaped prosecution and was never brought to justice. 

Reports of hauntings and strange sights at the mansion have persisted through its 200 year history, with a long list of owners -- from humble school instructors to Hollywood stars such as the actor Nicolas Cage -- who each abandoned the house after a relatively short time, following a timeline of unfortunate events. At present, the Lalaurie Mansion is considered among the loveliest of homes in the United States of America, and reputed to be one of its most haunted, as well.

Jennifer Reeser conducts a spellbinding, poetic "ghost tour" through its chambers, exploring the real culture, cuisine, history, mythology and art unique to New Orleans, while at the same time creating an original story and fictional plot, told in a straightforward, classic form full of feeling, which should be clear to anyone, anywhere in the world. Readers will encounter such characters as Calavera, the Baron Samedi, and even Madame Lalaurie, herself.

What the literary journal, TRINACRIA, has described as, "...an amazing terza rima narrative of a tour through an old haunted house, done in unnerving Grand Guignol style."

A signed, print edition of The Lalaurie Horror can be bought for $8.00 at Saint James Infirmary Books.  A Kindle version, which can be read on any smartphone, or tablet, is available at Amazon for just $3.99.  Don't miss out on this unique tour of New Orleans.  And for those of you who are not big fans of poetry, this is a rare chance to read some of Jennifer's poetry that is a narrative form.  That's right, she tells a story, and what a story it is!

An Inside Look at Room With Paris View

Room With Paris View, our travel memoir released this spring by Saint James Infirmary Books, is more than just a memoir.  Like a tour guide's oeuvre, it is full of historical anecdotes, and like a travel guide, it offers up advice on cafés, museums, and the métro.  You can walk the streets of Paris with us, including those we never intended to walk.  As author Richard Bunning points out, "...the curious footfalls of the Reesers are a joy to follow, even when they are regularly lost. There are many confused steps, but none are wasted. You see, this really is a guide book for those who want good ideas, but certainly don't want guiding."

  And while we do wander many side streets of Paris (both intentionally and unintentionally), there are plenty of chances to see the main attractions.  The most iconic of these, of course, is the Eiffel Tower.

 Excerpt from Room With Paris View

A short walk along Avenue de Tourville brought us to the Place de l’École Militaire, which connected us to the Champ de Mars.  And that, readers, is possibly the best family park in the city.

The site of the amazing 1889 Exposition Universelle which featured the brand new Eiffel Tower, this field has been the central point of many French festivals and historic celebrations.  It is also the point from which the world’s first hydrogen-filled balloon was launched in 1783.

After a flurry of picture taking, we walked out onto the mall.  The park, with the Tower at the far end, was full of families who had come out to enjoy the warm, spring day.  Forget the fact that the Eiffel Tower is an overused iconic image for this tourist destination.  All I could see were Parisians out enjoying their local city park.  Couples were sitting in the grass, reading or just snuggling with each other.  Kids ran after soccer balls.  Little girls were climbing all over a playground set—a cheesy plastic and aluminum castle—off to one side.  Behind them boys played a pick-up game of basketball.  A white-haired grandfather let his grandson win on the outdoor ping-pong tables while a young girl in a sandbox, wearing a long black coat, fed the pigeons flocking around her.

I suddenly wished I were not a tourist.  I wanted to be a Parisian.  I wanted this to be my park too.  I didn’t want to be an outsider, disturbing their family time.  And yet it was an inescapable reality.  I still did not know the language enough to feel like I fit in.  Surrounded by these families, I could hear them chatting away, could hear the kids squeal with laughter, could hear the parents warn them not to run too far, all of it in a language I did not understand.  This single barrier kept me apart.  It kept me in an observation mode much like a time-traveler who can visit a point in the past but cannot interact with what he sees.

Jennifer fell right into her poet’s mode, dropping onto a bench under the box-topped London plane trees.  (Of course, in France, they do not call them London plane trees.  They call them platane a feuille d’erable: plane tree with maple leaf.)  As per our unspoken agreement, I wandered off with the camera, leaving her to her thoughts, ink, and paper.

And as I walked the Field of Mars, snapping shot after shot of children, old men, couples, and the massive tower, I eventually began to get it.  The Tower.  Eiffel’s Folly.  That great big monstrosity of steel that drove Maupassant crazy.  That simple pointy shape that is slapped on, printed on, engraved on and painted on every chintzy trinket sold in Paris clicked in my head.  I can’t really say why.  It just did.  And as I walked ever closer to it, and bent my head back to look up at it, it won me over again each step of the way.

I’ve stood at the base of the Sears Tower.  I’ve lain in the grass beneath the St. Louis Arch and gaped at that delicate miracle.  I’ve been knocked out by the art deco design of Rockefeller Center.  But nothing like the Eiffel Tower has ever hit me in this manner.  This massive, dark, raw and powerful colossus stands planted in the earth like some alien creature from a Jules Verne science fiction novel.  Yet at the same time, its intricate and graceful design adds intelligence and beauty to offset that initial brash impression.

Does everyone get that?  I don’t know.  Most tourists just posed for silly pictures from afar, with the man or woman in the frame holding up the tower in the palm of their hand or maybe pretending to push it over.  And that’s fine.  That’s part of its magic.  In addition to being powerful and beautiful it is also whimsical.  It seems to be everything to everyone: a universal appeal.

Towards the middle of the park, on the west side under the trees, I found a little carousel, a chevaux de Bois, which looks like it had been there since before the Eiffel Tower.  That’s not to say it was old and run-down.  This wooden gem is in great working order.  When I found it, it was full of children, ready to begin its spinning adventure.  The operator, an older gentleman with dark bushy eyebrows and matching mustache, was just making sure the kids were settled properly in their seats.  Once the kids were ready, he grabbed one of the horse's poles and began to push.  After achieving the desired speed, he slipped inside the circle of horses, and I saw that the machine was operated by hand-crank.  He began to crank away, his initial push making it much easier for the horses to reach a comfortable trot which then required little effort for the hand crank to maintain.

Jennifer finally put down her pen and we strolled up to the Tower, our heads tilted in order to view the top of that one-thousand-foot structure, which was the tallest man-made structure in the world from 1889 to 1930.  It’s pretty cool to realize this, since as a native Illinois kid, I was always entranced by the Sears Tower, which held its own world height record from 1973 to 1998.

And as we stood there near the base of this modern Wonder of the World, I couldn’t help but shake my head at the thought that this was really happening.  Here I was, just a kid from the fields of Illinois, standing in one of the grandest locations the world has ever known, where people come from every corner of the globe to stand and stare and become a part of something greater than the little worlds we inhabit during our daily isolation from the planet at large.

I don’t care if you aren’t interested in Paris, or France, or even Europe.  Sacrifice enough in life to save up some money and travel to a place that will mean as much to you.  Go stand on Golgotha, or look out over the Great Wall of China, or plant your feet in the middle of Red Square and marvel at St. Basil’s Cathedral.

For more information on the book, please visit the Saint James Infirmary Books website.

You can also order the book from Amazon (both print and Kindle editions are available).

Room With Paris View

A year ago, I began posting snapshot views of Paris during our trip to that wonderful city.  Since then, I've heard from many people who enjoyed those posts.  Encouraged by the positive comments and interest, I spent the summer writing a manuscript that detailed our exploration of the City of Light.  At the time, I was not sure if it was for personal use or if I planned to share it with others.  The project grew to include travel tips, historical anecdotes, and my views on art, waiters, movies, writers, coffee, and much, much more.

  There's something here for everyone--those who have always wanted to visit Paris but think they'll never get the chance, those who plan to visit Paris, those who have already been, and even those who say they wouldn't be caught dead in Paris.

   Excerpt from Room With Paris View

The Hôtel de Sens is not well known by Parisian tourists.  It is out of the way, just off the main Rue de Rivoli.  It has a fairytale appearance, like something you might see in Beauty and the Beast.  It was built around the same time as Hôtel de Cluny, from 1498 to 1519.  At one time, like many historical sites in Paris, it had become extremely rundown, but it has since been restored.

As I circled this treasure—taking photographs, as you might guess—a man about my age approached and asked if I would mind taking his picture in front of the hotel.  I was happy to, of course.  Though I found his conditions sort of odd.

“Would you please take it with all these bushes showing in front of me?” he asked, indicating a row of shrubbery on the street opposite the Hotel.  His accent was British, and he was in fact driving a Land Rover which he must have brought over on the Chunnel Train.

“No problem,” I answered, promptly lining up the shot and snapping the picture.  He quickly scanned the results.

“Uh, if you don’t mind, I just need…” he turned and bent his knees, to show me the angle he wanted.  With the camera in hand, he framed the shot and pointed where he wanted to be in it.  Half of the shot included the shrubbery.  I couldn’t help but think about the Knights of Ni! who demanded shrubbery from King Arthur in that old Monty Python movie.  I kept a straight face and did as he asked.

He was happier than a fifteen-year-old boy at the Moulin Rouge.  Maybe he was a landscape artist who was writing a book.  I dunno.  But I was glad to help the guy out.  It seemed unlikely that two men from separate worlds would meet on the same day as they visited an out-of-the-way old house in the middle of Paris.

We chatted a little, expressing our admiration for the wonderful old palace, then went back to our separate worlds.  Somewhere in London or Surrey there is a photograph on a wall of a man in front of the Hôtel de Sens with a great shot of shrubbery in the foreground.  I know, I made sure the shrubbery looked good.  It obviously meant a lot to him.

If you should take the time to look up this wonderful jewel, be sure to notice the cannonball stuck in the wall just off to the side of the left turret (it’s left if you’re facing the main gate).  Some idiot during the July Revolution of 1830 not only pointed a loaded cannon at this irreplaceable landmark, but he actually fired the stupid thing.  Thankfully, the walls were stronger than his intellect.

The day I made this tour was Sunday, April the 22^nd, a Presidential Election day for France.  What intrigued me most was that you would not have known it unless you were paying attention.  Just across the street from the Hôtel de Sens was an old school building bearing the words École Primaire Communale des Filles, which means it was a girl’s elementary school many years ago.  It is still a school today; a paper sign tacked to a bulletin board at the entrance reads École Élémentaire Ave Maria.   Interestingly enough, the original stone inscription shows heavy damage, as if someone had chiseled or hammered away at it, which is likely, considering the passionate uprisings that have occurred over the years.  The French like to make all of these signs and symbols in permanent stone, then go to great lengths to erase them when they become enraged.

But this election was quite peaceful, and I watched old people and young men and tired ladies stand in line at the school for the chance to cast their ballot.  It looked much like our own elections at home, where little old ladies run the election process to choose the leaders of a superpower.  I’ve always been fascinated by that fact.  I could not see who was running the show in the school but I would not have been surprised to find a few tough old birds like our League of Women Voters.

There is one last little irony about this voting location.  The school was built against a portion of what was once King Phillipe-Auguste’s Wall (1190 to 1210 AD), which he ordered to be built for the city’s defense against the Plantagenets of Norman England while he was away on the Third Crusade.  The wall was covered for many years, and it wasn’t until a row of houses was torn down that it was discovered.  So King Philip’s wall now shelters a voting booth for the French democratic government.

For more information on the book, please visit the Saint James Infirmary Books website.

You can also order the book from Amazon (both print and Kindle editions are available).

My View of Louisiana's Poets

Attendees of the Louisiana Book Festival take advantage of
the perfect weather on the grounds of the State Capitol Park.

A few weekends ago, our great state of Louisiana held a book festival in Baton Rouge.  The Louisiana Book Festival of 2011 was held on October 29th, on the beautiful grounds of the State Capitol Park, with panels and readings held in the Louisiana State Capitol Building.  I had the great privilege of attending this festival as the escort of one of the four poets invited to participate in the Louisiana's Poet Laureate's presentation of Louisiana Voices: A Poetry Panel.  I escorted, of course, my wife, Jennifer Reeser, who, along with Amy Fleury, Thomas Parrie, and Mona Lisa Saloy, read portions of their gifted poetry during an early morning panel in the House Committee Room on the first floor of the Capitol.  (It has been suggested that I am Jennifer's personal paparazzi.  Though guilty as charged, on this day I fulfilled this role for all of the poets.)

Julie Kane

    The panel was put together by Julie Kane, the present State Poet Laureate.  A Professor of English at Northwestern State University, Julie is the author of many books, most recently her fantastic poetry anthology Jazz Funeral, a wonderful collection of poems centered around New Orleans.  Julie is a great ambassador for poetry in this state, full of talent and graciousness in equal measures.  About the only disappointing part of the panel was the fact that she did not have time to read a few of her poems for those of us in attendance.

Amy Fleury

     Once the readings began, I was struck by just how fortunate Louisiana is to have such poets writing today.  Amy Fleury started things off with her insightful poetry from her book Beautiful Trouble, highlighted by an unforgettable piece about caring for her ageing father.  Though she is a native of Kansas, she is currently the director of McNeese State University's MFA program as well as the editor of The McNeese Review, and Louisiana is fortunate to have her now.  As a transplant to Louisiana, I appreciated her keen, newcomer's observation as she described the sounds of a Louisiana night, including the sound of the lazy mosquito truck passing by.  This is not something most people think about around here.  Amy, however, was able to weave that great audio image into her poetry in such a way that I actually smiled nostalgically at this usually annoying and always silly nighttime intruder.

Thomas Parrie

  Thomas Parrie followed up with several selections, the strongest of which honored the land and heritage lost when the Toledo Bend Reservoir was built in the 1960's.  The poem did a great job of focusing on Native Americans' struggles for identity due to such losses without devolving into a bitter rant.  Parrie, now in Tennessee, is a native of Monroe, Louisiana.  Though he did not say it in his introduction, his poetry made it very clear he has Native American blood running through his veins, and certainly his soul.  The often repetitive cadences of his verse put me in mind of the slow, drum-beat rhythms that once might have been heard around his ancestors' campfires.  (And, in truth, are still heard today.)  Hypnotic, they helped to drive the words deeper into the listeners' hearts.

Jennifer Reeser

 Next up was Jennifer Reeser, a poet dear to my heart, as you might imagine, who read several of her hauntingly beautiful poems about Louisiana, including one of my favorites of hers, Louisiana Broke My Sleep.  She finished up with the tribute Watching New Orleans Drown, which reminded us all of what our State has been through and just how important it is that these voices should be heard.

Mona Lisa Saloy

 To round out the panel, New Orleans native Mona Lisa Saloy, Professor of English at Dillard University and author of Red Beans and Ricely Yours, gave us a humorous, touching, and soulful look at growing up in the Big Easy.  She finished her reading with a song, a perfect way to celebrate Louisiana poetry and New Orleans.  Her local idioms meshed with her sharp observations kept me always on the verge of a smile, a laugh, or a lump in my throat.  As an outsider who loves New Orleans, it was quite touching to hear an insider's view.











Though Louisiana has been through a great many trials in the past few years, we can be assured that such occasions have not gone unheralded.  This is just a sample of the many voices of this State that are being heard as they tell of our experiences, our hopes, our disappointments, and our triumphs in a land that is always a little mystifying to outsiders.